Dana Ellyn
The Washington Post, Sunday, January 18, 2009 · Style & Arts, page M14. Tap to enlarge.
Washington Post · January 18, 2009

O, Yes! An Ecstatic Moment On the Campaign Sidelines

The Post’s “Back Story” interview with Dana Ellyn about her Year of Presidents series, published two days before the 2009 inauguration.

Press

The article

The Washington Post
Sunday, January 18, 2009 · Style & Arts, page M14 · The Back Story · Interview by Rachel Saslow

O, Yes! An Ecstatic Moment On the Campaign Sidelines

“My rules are that it had to be inspired by every president, not that it had to be portraiture.”Dana Ellyn, in the Washington Post
The Washington Post clipping, January 18, 2009Tap to enlarge
Full text

The interview

One year ago, local artist Dana Ellyn decided to create paintings of the 2008 candidates and every American president. Her deadline: Inauguration Day. Many of the 37-year-old’s paintings riff on presidential trivia. The John Adams painting, “Kissing Cousins,” features him puckering up to his wife (and third cousin), Abigail. Ellyn’s provocative Sarah Palin portrait shows the former vice presidential nominee juggling fetuses (and caused a ruckus when it was displayed in an Adams Morgan boutique). “Gimme an ‘O’!,” a painting of a deranged cheerleader rooting for Barack Obama, is one of three Ellyn works on display at H&F Fine Arts.

I didn’t dive into any presidential painting without researching it first. I bought a couple books, and my friends bought me flashcards with fun facts. Sometimes I would only need one sentence and I would go, “Oh, perfect.”

My rules are that it had to be inspired by every president, not that it had to be portraiture. “Gimme an ‘O’!” is an example of one of the more loosely inspired ones.

I did it two days before the election. The manic nature of the girl cheering is on purpose. It was nutty — it was all anyone could think about or talk about. I was excited and I couldn’t wait for it to be over at the same time. As I worked on the painting, every aspect of the imagery took on an undertone of new meaning: the escalating excitement, the screaming, the big “O” — like the orgasmic happiness of the whole thing. I always get a kick out of double meanings of things.

I’m not into painting pretty pictures. I guess I’m a little cynical or sarcastic. The children in my paintings come across kind of creepy. They’re definitely not like, “Oh, how sweet!” They have a sinister and sarcastic edge to them.

A lot of people say to me, it’s obvious who you’re rooting for by the critiques of the other candidates, but what are you going to do if he messes up? I say: “I’m going to criticize him. I’m not doing any more rah-rah Obama paintings.”

He’s bound to do some things along the way that I don’t agree with. I’m never going to be at a loss. There’s a whole world of mess out there.

— Interview conducted and condensed by Rachel Saslow · The Washington Post, January 18, 2009

In the article

The paintings

Gimme an “O”!Pictured in the Post18"×24" · acrylic on canvas · 2008SOLD
Kissing CousinsJohn Adams · mentioned in the Post18"×24" · acrylic on canvasSOLD
Juggling ActSarah Palin · mentioned in the Post24"×30" · acrylic on canvasSOLD
On view at the time

The exhibit

Show
Obama: Art & Politics
Gallery
H&F Fine Arts, 3311 Rhode Island Ave., Mount Rainier, MD
Dates
Through February 28, 2009
Opening
Sunday, January 18, 3–6 p.m. · Free